Christopher P.
Jacobs
Senior Lecturer, Film
UND English
Department
Grand Forks, ND 58202
(701)777-3321 / voicemail (701)777-3865
email: christopher_jacobs@und.nodak.edu
Office: Merrifield
110 (mailbox)/Sayre 302 (actual office)
Office Hours: Wednesdays and Thursdays at 1:00 pm in Merrifield room
122, or by appointment
English 225
-- Intro to Film Sections (Tues-Wed or Tues-Thur):
Tuesdays (films for all sections)
2:00-4:00 pm, plus
Wednesdays 2:00-2:50 and 3:00-3:50 / Thursdays 2:00-2:50 and 3:00-3:50 (lecture-discussions)
Christopher P. Jacobs - short biography
Christopher Jacobs has been a film buff and
collector since his junior high school days, with a particular interest in the silent cinema. The
lure of film history
eventually took precedence over an equal interest in filmmaking, although he has made
several short films on 8mm and 16mm, and several feature-length movies on video
(both analog and digital). He earned a Master's Degree in Film and Dramatic
Production Criticism from the University of North Dakota, where he now teaches
“Introduction to
Film” as a senior lecturer, handling one or more of the Intro to Film sections since 1995. In addition, he has taught a Creative Writing class focusing
on screenwriting, a Special Topics class on creative movie production using
digital video equipment, and has done occasional guest lectures on film for the History Department and the School of Communications. Since June 2006 he also has conducted a summer moviemaking workshop for teens along with
fellow English Dept. lecturer Kathy King.
A movie theatre manager for over nine
years until his company was bought out by a larger chain, Jacobs continued to
work as a projectionist/“staff leader” at the former Midco 10 Theatre, now called
the Carmike 10, until the theatre switched from
35mm film to digital projection in 2007. Besides teaching film and making
movies, Jacobs is the movies editor for The High Plains Reader, a regional
weekly tabloid arts & entertainment newspaper, and was on the building
committee for the renovation of the Empire Theatre
into a home for the North Valley Arts Council.
He co-authored a reference book project with Donald W. McCaffrey for Greenwood
Publishing, Guide
to the Silent Years of American Cinema. It is a one-volume critical
encyclopedia of notable silent films, directors, actors, and screenwriters,
published in September of 1999. In October 2001, he presented a paper at the
Northern Great Plains History Conference on the history of movie theatres in
Grand Forks. In fall of 2002 he helped organize the first Forx Film Fest at the
Empire Arts Center, now held annually in November. Most of Jacobs'
once-substantial book and memorabilia collection was lost in the Grand Forks
flood of 1997, as well as a substantial portion of his film and tape
collection, but his interest in film
has survived.
Jacobs' other interests include filmmaking and video production; using
computers for desktop publishing and graphic design; music listening,
performance, recording, and occasional composition (almost all kinds --
classical, ragtime, jazz, blues, hard rock, heavy metal, etc.); live theatre
(viewing, performing, and directing); and ancient
history (particularly ancient Egypt, Greece, and Rome). He worked
briefly on the Coen brothers' Oscar-winning film, Fargo, during their
stay in Grand Forks in March of 1995. In the spring of 1998 Jacobs served as
Associate Producer on a low-budget direct-to-video 16mm movie entitled Dead and Too
Stupid to Know It, which was a sequel to the even lower-budget 4 Cheerleaders of
the Apocalypse. Filmed in Grand Forks that May, the comedy-horror-sex
spoof appeared on regional video shelves in March of 1999. In September of 1998
Jacobs was Script Supervisor on another independent film production, Dead Dogs. Also shot in Grand Forks,
this 35mm black & white feature is a moody, character-driven film noir
heist picture well-suited for the film festival and arthouse circuit. Although
not acquired by a distributor, it won a number of festival awards, including
Best American Independent Feature at the 1999 Seattle International Film
Festival and Best Picture at the 1999 Chicago.Alt.Film Festival, and was
selected as the climactic closing night film at the 2000 Minneapolis
International Film Festival. Dead Dogs also earned glowing reviews in Variety
and the Los Angeles Times, as well as at European festivals. These film
production experiences, coinciding with rapidly dropping costs of digital
camcorders and computer editing equipment, inspired Jacobs to revive his
moviemaking activities using digital video.
During the summer of 2001 Jacobs produced and directed a movie on digital video from his own script, entitled The Threat of the Mummy. He premiered the social-political satire/fantasy in April 2002 at the historic Empire Theatre, and released it on VHS in August. In May 2002 he began shooting on the movie’s sequel: Vengeance of the Sorceress, which premiered at the Empire the first weekend of November 2002, played at the Forx Film Fest in December, came out on VHS just before Christmas, and played at the Fargo Film Festival in March 2003. Using several of the same actors, he began production on Working Nights, a sort of yuppie soap-opera/murder mystery, shortly before Christmas of 2002. When cast schedules caused its sporadic shooting to be put on indefinite hold after it was half-completed, he started production on Dark Highways, a North Dakota neo-noir thriller, which finished principal photography in August 2003, premiered at the Forx Film Fest in November, played at the Empire the following week, and came out on both DVD and VHS in December. Dark Highways was selected as an official entry in the New York International Independent Film and Video Festival, with public screenings in Los Angeles, New York, and Las Vegas, while its trailer and music video were shown at two other New York festivals. The feature was screened three times at the 2004 SMMASH Film Festival in Minneapolis, where it also received a “Best Screenplay” nomination. Dark Highways was represented by ITN Distribution at the Cannes film market in May 2004, and added to ITN’s catalog of movies for their new “subscription video on demand” Independent Movie Channel on the Akimbo internet cable TV network. Jacobs shot his next movie, another supernatural thriller entitled Miss Mystic, in spring of 2004, editing it over the summer. Miss Mystic premiered at the Empire in August, played a five-day run in mid-September 2004, and again at the Forx Film Fest in November, where it won the award for “Best Feature.” It later received an “Honorable Mention” at the 2005 Subrosa B Film Festival in Syracuse, NY, and played at the 2006 "It Came From Lake Michigan" horror/sci-fi/fantasy film festival in Racine, WI. All four movies have been carried for rent at Grand Forks Blockbuster Video outlets, Videos Plus in Mayville, ND, and Fargo’s Take 2 Video stores. In summer 2005 Jacobs began work on an ambitious backstage movie musical entitled Music to My Ears, shooting largely at the Empire Theatre through January 2006. After premiering there in February and undergoing some minor re-editing, Music to My Ears was submitted to a variety of film festivals around the country. It was awarded third place in the "family feature" category at The Indie Gathering film festival in Cleveland, OH. During the summer of 2007, Jacobs made Dangers from Within, a gothic thriller with some darkly comic elements and his first feature in the HDV format. Dangers from Within premiered at the Forx Film Fest in December 2007 and played theatrically at the River Cinema 12 in East Grand Forks, MN from Feburary 22-March 6, 2008. DVD copies of Jacobs’ six digital features can be purchased at the Empire Arts Center gift shop, at Budget Music and Video in Grand Forks, or directly from the producer.
Before embarking on annual feature-length
movie productions, Jacobs worked on and off at writing a series of full-length novels in the historical romantic-adventure genre.
He completed the first book, The Treasure of Isis, in November of 1998.
Throughout 1999 he revised and polished it while working on the sequel, which
he finished on December 31, 1999. In January 2000 he started on the third in
the series. The story is set in Egypt
during the early 4th century
A.D. (1087 A.U.C.) amidst the sociopolitical
and religious turmoil
of the late Roman Empire, while Alexandria, Egypt with the comprehensive
collection of papyrus scrolls in its
world-famous library was the center of scholarly research.
To help get a feel for the period, he has been sporadically struggling to learn
the (very rudimentary) basics of Egyptian hieroglyphs, Coptic,
ancient Greek,
and Latin.
Other writing projects include several short stories and more screenplays, one
an updated reworking of a classic Greek comedy by
Menander.
FILMOGRAPHY (feature-length and short
movies made on film and video)
BACK to Jacobs Homepage
Last updated December 10, 2008
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