Dangers from
Within
A new movie
Written,
Produced, and Directed
They thought it would
be good
for Abbi
to move in with her aunt.
Nobody expected what
she’d find there.
Quick
Pitch:
A Beautiful Mind of Nancy Drew and
Indiana Jones meet the DaVinci Code
in a small Midwestern college town!
THEATRICAL
RUN
held at
the new River Cinema 12 in East Grand Forks MN
February
22-March 6, 2008!
Matinee daily at
4:15 for two weeks, plus a 6:25 pm evening show the first week (Feb. 22-28)
SPECIAL
GALA PREMIERE
was 7:30 pm Friday, December 14, 2007 at
the historic Empire
Theatre
415 DeMers Avenue, downtown Grand Forks ND
WORLD
PREMIERE
was 3:40 pm Saturday, December 1, 2007 at
the sixth annual Forx Film Fest
Empire Arts Center, Grand Forks ND
The
gothic-flavored story begins as a character-driven drama, but soon shifts to a
suspense thriller and later adds a touch of the supernatural. A troubled young
teenage girl kicked out of a boarding school moves from New York City to a
small Midwestern college town to live with her aunt. There she befriends a
graduate student renting a room from her aunt, and who is
hoping to publish his translation of a controversial ancient papyrus he
smuggled out of the Middle East. Others are also trying to obtain the
document by any means possible, however, believing the ancient text has a
mysterious power that they want control over. The two soon must rescue his kidnapped
girlfriend while dealing with threats by various parties attempting to obtain
his document and/or sabotage his work. Meanwhile, the aunt has some secrets
of her own about her house that will ultimately affect everyone. Is it really
haunted, or is it simply coincidence and a vivid imagination?
Equipment
Dangers from
Within was shot in the HDV format using a Sony HVR-V1U. Sound
was recorded primarily with a boom-mounted Audio-Technica
AT897, as well as the camera-mounted Sony ECM-NV1 shotgun microphone. For some scenes the AT897 audio was recorded on a Marantz
PMD-670 recorder, and for others it was plugged directly into the camcorder’s
second XLR input. A few scenes also used an ElectroVoice
N/D 257A microphone. Editing was done in native HDV using Final Cut Pro 5.0.4
on a Mac G5 with 4 GB RAM and a terabyte MyBook firewire drive. Music scoring was done with SmartSound’s Sonicfire Pro 4. The
HDV movie files were converted to standard DVD format using Final Cut
“Compressor” and authored using DVD Studio Pro 4. Ultimately
a Blu-Ray high-definition DVD will be made, once
prices on blue laser DVD burners come down. (DVD Studio Pro’s
HD DVD files play back fine on a computer, but on a Toshiba HD DVD player,
while both mpeg2 and h.264 video files at different compression rates played
the video portion and all the multiple audio tracks were recognized, none of
the audio tracks would actually play -- neither h.264, Dolby Digital, nor
Linear PCM -- and the menu that worked fine on a computer would display but was
not functional on the HD DVD player.)
Preproduction
The
script was begun in February 2007, and written mainly during April, with
revisions throughout May, June, and July to adjust to the final casting. The basic plot was inspired by a number of specific things: by
initial willingness of several people with old houses to have them featured in
a movie, by news stories about recently rediscovered ancient documents such as
the Archimedes palimpsest and the Gospel of Judas, by the available pool of
local actors and usable locations, and by various current world events.
The original six characters were gradually increased to nine by the time the
first draft was completed April 30th, and five additional characters
were created after the open auditions in July. To facilitate production with an
anticipated limited availability of supporting cast, most of the script was
designed in advance to have only two or three characters appearing in any given
scene at the same time. Except for the two leading roles of Abbi
and Jack (either or both of whom appear in almost
every scene), characters were written so that actors would have easily
manageable time commitments. Four to seven scattered shooting days were enough
to cover the necessary scenes for most supporting characters, and several
needed only one day to shoot all their scenes. The script was also designed to
be shot entirely on location in Grand Forks, North Dakota, incorporating
location footage shot during an earlier trip to New York City (in April 2004,
at the time that Dark Highways
and its music video were playing at film festivals there). As time approached
for actual production, it turned out that several personnel originally planned
for the cast and crew were unavailable for various reasons, but others soon
eagerly stepped in to fill their roles.
Production
While
extending over a two-month period, the movie was completed in 29 days of active
production, including one day that needed to be reshot
due to casting changes, two days of auditions, two days of screen tests, one
day of just audio voiceover recording, and a day shooting second-unit footage
without any actors. Preliminary shooting began June 8, 17, 23 and 26. About
eight minutes of the estimated 95-100 minute running time were shot and edited
by the end of June. After a public casting call July 9-10, regular daily
production began July 12 for three straight weeks.
Although
a few days had eight to ten hours or more of shooting, most shooting days
stayed within the three- to six-hour range or even less. This permitted all the
footage to be captured to computer the same night or the day after it was shot,
and quickly arranged into script order. By July 24, about two-thirds of the
100-page script was shot and over 40 minutes of scenes were edited in roughcut
form. By the time principal photography wrapped on August 1, 2007, about 55
minutes of roughcut scenes had been assembled. Some brief insert footage was
shot August 3 and postproduction began in earnest.
Postproduction
A
full-length preliminary roughcut (with tentative opening and closing credits
but only a partial music score and about 20 percent of the scenes still only in
simple master-shot form) was put together by August 5, running about 80
minutes. The first edited cut was completed by August 11, running 81 minutes
and requiring only some color corrections, audio adjustments, and minor editing
revisions. This was screened for the cast on August 15. It took about 17 hours
for the computer to convert the HDV Quicktime movie
file into an mpg file that could be used on a standard
DVD. However, it only took a couple of hours for the computer to prepare the
same file for a real-time export to HDV tape, which could be simultaneously
recorded by a standalone DVD recorder through the tape deck’s analog output. A
second cut running several seconds longer and containing much more background
music was done by August 24. A third cut about a second shorter with a revised
audio mix, a few alternate shots, some color correction and gamma adjustments
was finished by September 21. The fourth and final cut was finished on October
29. While only seconds shorter in total running time, this
version added a few more shots and sound effects as well as some brief ADR,
slightly shortened some scenes, and remixed more audio levels, The public
premiere was December 1, 2007 during the sixth annual Forx
Film Fest, held at the historic Empire Theatre in Grand Forks (where some of its
scenes were shot). A DVD with audio commentaries and other bonus
materials is available in gift shop of the Empire Arts Center.
Cast mini-bios and movie credits
Ellie Unkenholz (Abbi) and Ali Scrable (Jessi) are active in
the North Dakota Ballet and in local theatre productions. They wrote, directed,
choreographed, edited, and acted in the movie .chanceaux., as well as acting in The
Boa and The Haunting Color Red. Ali also operated the hand puppet in Puppet
Without Pity. All four short movies
were made during the June 2007 UND Summer Moviemaking Camp for Teens. Dangers
from Within is the first feature-length movie role for both girls.
David Henry (Jack) works as a
night manager at a local motel and has an extensive background in radio and
local theatre productions. He appeared in Music To My Ears
and narrated the trailer and TV spots for Miss Mystic, as well as
doing some of the audio recording for both movies.
Tara Ulness (Aunt JoJo) works for the Grand Forks Public Schools system, and
has had experience in regional theatre. This is her first movie role.
Sarah Phillips (Julie)
works at a local restaurant. She also appeared in Vengeance of the Sorceress
as a television reporter, and helped work on props for The Threat of the Mummy.
Paul Kelly (Charlie), a
familiar voice to area radio listeners, works in retail sales for a local
department store, has sold cars at a local car dealership, been maitre d’ at a
local restaurant, and has a long background in radio and theatre as well as
independent movies. Other movie roles include Professor Casey Wallace in The
Threat of the Mummy (and, via TV news flashbacks, in its sequel Vengeance
of the Sorceress), an antique dealer in Ole and Lena: The Movie,
Trevor in Working Nights, Alex Montana in Dark Highways, and Bill Warren in Music to My Ears.
Mark Landa
(henchman) is executive director of the Empire Arts Center. He has previously
appeared in Dark Highways, Working Nights, and Music to My Ears, playing
a bartender in each movie. This is his first non-bartender movie role. He was one of the co-writers and co-producers of Music
to My Ears and is working on a new screenplay of his own.
Jeff Kinney (Dr.
Whittaker) runs a business in Manvel, ND, and has been deeply involved in the
Greater Grand Forks Community Theatre. He also worked on
Ole
and Lena: The Movie.
Michael Harvey (Frank
Griffith) is retired, and enjoys writing and acting. He played theatre owner
Hubert Sorensen in Music to My Ears and played a boatman in the short Lewis
and Clark.
David Raymond (Herb
Thompson) recently moved to Grand Forks and works at a local restaurant. He has
had some theatre experience but this is his first movie role.
Caroline Gray (Carrie)
has been active in local theatre. She appeared as “Emily” in the movie Music
to My Ears.
Robin Loegering (History
Professor 1) works in the medical field, had done theatre in school, and has
her first movie role in Dangers from Within.
John Nordlie (History
Professor 2) works in the UND Weather Information Center. He previously
appeared in The Threat of the Mummy, Vengeance of the Sorceress, and Dark
Highways.
Debra Pflughoeft-Hassett (History
Professor 3) works in the Environmental Energy Research Center at UND, and is
hoping to produce a documentary about uses for recycling lignite fly ash. This is
her first movie role. She also served on the movie’s crew as a sound recordist and boom operator.
TRAILER 1 (1:47)
Quicktime trailer
(8.3 MB) 213x120 pixels – Sorenson codec
Windows Media Broadband quality (9.7 MB) 856x480
pixels
Windows Media Dialup quality (678 KB) 216x120
pixels
TV SPOT (:29)
Quicktime (5.4 MB)
213x120 pixels – Sorenson codec
Quicktime mp4 (1.8 MB) 427x240 pixels
Windows Media Broadband quality (3.6 MB) 856x480
pixels
Windows Media Dialup quality (205 KB) 216x120
pixels
PHOTO GALLERY
(Production stills and video frame grabs)
THE MOVIE’S MAGUFFIN – Read for yourself
the ancient manuscript everyone is in such an uproar about!
palimpsest pal-imp-sest (noun) : a manuscript, often on
papyrus or parchment, whose writing surface has been used more than once, with
its previous writings scraped off so it can be used again but usually still
legible to varying degrees. From Latin palimpsestus derived
from Greek palin (palin)
“again” and yaiw (psaio)
“rub away,” “grind,” “scrape.” Many
ancient works have survived only through copies that had been erased and reused
for other documents.
POSTERS

OTHER DIGITAL FEATURE-LENGTH
MOVIES by Christopher
P. Jacobs,
each featuring cast members of DANGERS
FROM WITHIN in roles of various sizes
Music to My Ears
(2006) with Paul
Kelly, Michael Harvey, Caroline Gray, David Henry, and Mark Landa
Working Nights (2005) with Paul Kelly
and Mark Landa
Miss Mystic
(2004) trailer
narrated by David Henry
Dark Highways (2003) with Paul Kelly
and Mark Landa
Vengeance of the
Sorceress (2002) with Sarah
Phillips, John Nordlie, and flashbacks of Paul Kelly
The Threat of the
Mummy (2002) with Paul
Kelly and John Nordlie
OTHER REGIONAL MOVIE
PRODUCTIONS
from eastern North Dakota and western Minnesota